The Showrunners, Arrested Development, and the Golden Age

As you all know (and you should, if you don’t), we are in a golden age of television. Yes, a TV landscape that includes 4 Kardashian-themed programs can be considered a golden age. One of the biggest influences on the current crop of (non-Kardashian) shows is Arrested Development, the beloved comedy that boosted many careers and kickstarted the “mockumentary” sub-genre.

Arrested Development returns

And soon, Arrested Development will be back on a screen near you, if you have a Netflix subscription. But will it live up to the hype of the desperate fans that pleaded for its return?

The true answer to that I don’t know, as I’m no expert at Divination, but I think I am qualified to make a few predictions. For one, there are jackasses out there that didn’t like the second season of Game of Thrones (“It didn’t follow the booooooooks!” they whined), and others that bitched and moaned about Leslie winning on Parks and Rec (“It’s gonna change things!”). Likewise, there will be some little shits that will hate on the new Arrested Development, about how it’s not as good as it used to be, etc. Those are nerds that will never be pleased, so I’m not worried about that demographic.

But there is one real problem Development faces: we are living in a golden age of television, and some people might just not be so impressed anymore.

Currently I’m reading The Showrunners, by David Wild, a book about TV writers that was penned back in 1999. Wild, a Rolling Stone writer, interviews legendary TV figures like Aaron Spelling, the Bright/Kauffman/Crane team, and my person TV hero Paul Simms. Simms, for one, discusses his time spent writing for HBO’s Larry Sanders Show, which is discussed in the book with such reverence you’d think they were talking about M*A*S*H or Lucy. Marc Maron, comedian’s comedian and host of the WTF with Marc Maron podcast, talks about Larry Sanders with the same incredulousness, that such a show could even exist.

I was too young to have seen Larry Sanders the first time around, but I watched it when I was older and the show hit On Demand (at my parent’s place, of course). And it’s funny. But it didn’t blow me away – nothing I had not seen. Reminded me of 30 Rock, and Extras.

Now, don’t worry, comedy nerds. I get the show. But this is the basis of my argument – time has passed. Since Arrested Development went off the air, we have seen Community, we’ve seen Modern Family, we’ve seen Veep. Hell, The Office feels SO old-hat now, and it experience it’s height of creativity, it’s height of popularity, and later creative downfall, all since Development left the airwaves. When AD was on the air, Amy Poehler was the less famous of the Arnett-Poehler duo. When AD was on the air, Saddam Hussein was still alive!

So what if that happens now? What if we have seen too much to be impressed anymore? AD has a dated format – I hate to bring up Community yet again, but when you have a show parodying shows that parody documentaries, that genre might be a little stale.

Plus, the Arrested Development story ended. The Iraq plot solved itself as best it could, and we knew that the family would never become decent humans, so we were satisfied watching Michael and his son escape into the distance.

As The Showrunners reminded me, history is full of classic TV that overstayed its welcome. That’s really the whole design of the American TV system – play, play, play until it fails.

I was as sad as anyone that AD lasted as briefly as it did. But can’t we just leave a good thing as it was?

Often copied, never equaled: the original Walk-and-Talkers

Funny or die has created a West Wing Reunion video, bringing back CJ, Charlie, Will and President Bartlett for a special message promoting walking… and talking at the same time, if you must.
Funny or Die’s West Wing Reunion

She Saved the World A Lot, Part 2: At Ease, Soldier

NOTE: In an effort to kill all of the haters with cuteness, this post will be chock-full of Riley Finn’s adorable mug. Browsers beware.

So after that bit of negativity, I’m going to develop a more positive picture today with my second Buffy-themed column, this time about a character that was MORE thought-out and well-rounded than many fans give the writers credit for: Riley Finn.

Picnic? In the park? With me? Why of course, Mr. Finn!

Riley was introduced in the fourth season under impossible circumstances – the kids were going off to college and leaving high school – and Angel – behind. Back in 1999, this was difficult for many viewers to adjust to, myself included. Of course, back in 1999, I was in the seventh grade, so I might not have been the audience that Joss and Co. were aiming for.

The transition from high school to college on Buffy, in my opinion, was one of the few examples in TV history where it worked perfectly. Although the show’s basic concept – girl fights demons – didn’t change, the entire framework of the series was altered drastically by the transition in locale, but the characters we loved stayed intact. In the case of Giles and Willow, they got even better and more layered!

But with Riley, the hunky new love interest for Buffy, it was an uphill battle towards acceptance with the fans, and there are many that still don’t have warm fuzzies for him today. Some of that might have to do with the drastic alteration in personality the character suffered in season 5, but I think most of it was just that he wasn’t Angel.

I don’t need to say this to you, dear readers, but Buffy and Angel were freaking EPIC. It was their romance that sucked in viewers during the second season and propelled the show forward. So when they broke up, there was no one that could live up to the amount of hype and anticipation that Buffy fans experienced week after week while enjoying the Angel saga.

Riley Finn vs Angel with Buffy

It's okay if it's in a three way, boys.

More evidence of fan hatred for Agent Finn: in a fanpop.com poll for “Best word to describe Riley Finn,” “Captain Cardboard” was the winner with 34% of the votes.

Here’s what those fans don’t want to hear: Riley was a good dude and a crazy interesting character!! Unlike Buffy, who grew up on a Hellmouth in California (a state in which cynicism is her birthright just as much as slayage), Riley grew up in IOWA. You know what’s in Iowa? Corn. So, so much corn. And Ashton Kutcher. Does that sound like someone who would make a great demon-fighter? And yet, Riley accepted Buffy for all that she was and loved her for it. That’s insane!!!

Think about it: Angel was “destined” to love Buffy. And Buffy was basically the most beautiful and awesome girl that Xander had ever met, so of course he loved her. But Riley could have been off doing other things (and other girls). He could have been with any college gal he wanted and been a normal Marine or whatever and had a totally normal life – but he didn’t. He CHOSE to join the Initiative because he was ready to fight for a cause he believed in (at the time) and he CHOSE to “court” Buffy (and he used the word COURT, no joke) because he really liked her.

And yet, people still don’t see that awesomeness of that!! What the hell???

I’m definitely not hating on Angel because I, too, will always hope for those crazy kids to work it out, whenever Buffy’s done baking her cookies or whatever. But for that time in Buffy’s life, when so much was changing and she was fighting her biggest enemies ever (the government, losing Angel, college classes, friends splitting apart), she needed a stable, “real” guy to lean on.

Riley Finn Buffy Summers season 4

It might not have been true love, but c'mon, they were freaking cute!!

Also, unlike any man that Buffy was ever with, Xander and Willow both heartily approved of Riley. Remember when Riley went out of his way to make friends with Willow so he could earn her approval and learn more about the object of his affection? It was basically the cutest thing ever. And Xander, who as we discussed here previously rarely got any moments of greatness, had an awesome “yellow crayon” moment where he defended Riley to Buffy and tried to talk some sense into her.

Yeah, Riley’s whole “good boy” thing was kind of destroyed when he started getting the living daylights sucked out of him by weirdo vampire skanks, but even then, I felt bad for him. I mean, this show has always done a beautiful job of expressing the feelings of mistreated or scorned women (unlike 90% of all programs on TV), but here was a true expression from a man that felt unloved and cast aside by the girl he worshipped. You can hate what he did, but you can understand his pain, because we’ve ALL been there, male or female.

Anyway, you can feel free to disagree with me in the comments below, but I know I’m right and you’re wrong!! Riley forever!!!!!

Riley Finn Buffy BtVs

Bitch, please.

 

Here are some Riley quotes for the road!:

 

Buffy: How did you respond so fast?

Riley: I didn’t, I was just late for church.

 

Colonel: You’re a dead man, Finn.

Riley: No sir. I’m an anarchist.

 

Oh. Yes. I am a lesbian.”

 

(On Angel) “Well, there you go, even when he’s good he’s all Mr. Billowy Coat, King of Pain!

 

Willow: Okay, say that I help, and you start a conversation, it goes great – you like Buffy, she likes you, you spend time together, feelings grow deeper – and one day, without even realizing it, you find you’re in love. Time stops, and it feels like the whole world is made for you two and you two alone, until the day one of you leaves and rips the still-beating heart from the other, who’s now a broken, hollow mockery of the human condition.

Riley: Yep, that’s the plan.

She Saved the World A Lot: What Could Have Been

Buffy and Xander

This is how I want to remember ol' Xand. Badass.

You all know me to be a huge Buffy the Vampire Slayer fan. Celebrating the show’s 15th anniversary this month, I want to start out by pointing out some things I didn’t like.

Namely, what could have been.

Buffy is known for its characters, many of which were fully actualized, well rounded people that went on amazing journeys throughout the course of the series. Besides Buffy herself, Willow is the prime example of this. Willow went from a meek nerd to a confident fighter to a lost woman to a calm source of power, all within seven seasons. On another note, Giles, already an adult when we meet him, is a character that came ready-made and developed, and part of the fun of watching him was peeling back the layers to see how he became the loveable mentor the gang knew him as.

Many auxiliary characters, such as Tara and even Amy, are given similar arcs over the course of the series.

So why couldn’t the writers do the same for Xander Harris?

Xander is the Zeppo

He likes the quiet.

While re-watching the fourth and fifth seasons, it became abundantly clear to me that the writers just did not know what to do with a character like Xander. When I was a kid and first started watching Buffy, Xander was my favorite! He was funny, he was deeply in a one-sided love with Buffy, and he was an idiot when he needed to be and brave when he needed to be as well. The first three seasons showed a Xander that I liked – he was actually a complex human being. He hated Angel for reasons both right and wrong. He supported the team even when they didn’t support him. He dated Cordelia, which was never not funny. And who could forget “The Zeppo,” Xander’s shining moment?

And then Xander stopped making the jokes and just became one. His only useful addition to the team in the fourth season was constantly harking back to his one night of military experience (how long could they keep that shtick going?) and the fifth season proved him to be even more useless, serving only as Riley’s sidekick (and no, writers, making an episode that points out the problem of Xander – “The Replacement” – does not mean that you’ve fixed the problem, you’ve just made it more obvious to the viewers. What is this, Glee?). His relationship with Anya was funny, but after a re-watch you might start to realize that all of his jokes about Anya were rehashed from his relationship with Cordy – she’s frank! She’s immature! She can’t read a situation! Haha! Both girls were essentially the same in that respect, and it got tired when Xander’s only purpose was to make some remark about his girlfriend. Xander never really matured until his “yellow crayon” moment at the end of season 6 (a season in which he was mostly downright despicable) and continued to grow somewhat through season 7, once he had a job to do – fix the damn house! – and Andrew to pick on.

What happened to the great character we started with?

Imagine this, if you will. A Xander that, after sick of being so useless in season 4, decided to come to Giles during the opening of season 5 and ask to be trained as a Watcher. He’s had tons of experience fighting evil at that point and now he’s ready to buckle down and learn unlike he ever did in high school – similar to how many slacker boys are in real life when they get to college and find a real passion for something.

Or how about this scenario – couldn’t Xander have taken a self-defense course or something? Maybe “That’s my purse, I don’t know you!” doesn’t quite work on the undead, but it would have been a bit more helpful than what he was able to contribute. I understand that Xander should never gain superpowers, and I appreciate that. We love Xander because he’s not one of the special ones. But he could at least elevate himself to the level that Giles can fight at! Come on! I’ve always wanted to see Xander as a Ron Weasley character – he cracks his jokes and occasionally is hesitant to fight, but when push comes to shove he can be a powerful ally. He’s “the heart,” but with no heart.

Or even this – much like the night he discovered Angel was alive in season 3, Xander patrols by himself, or with Willow, and discovers plot points all by himself throughout the course of the series! What a thought!

You know, they tried to make Xander “Dude Who Sees Things,” which would have been badass, but they only introduced this concept of Xander being cool for ONE EPISODE, so he could get his eyeball popped out. Talk about pulling a Tara!!

“What could have been” was thankfully, at least somewhat addressed in the “Season 8” comics, where Xander is given half a brain and command over a cell of Slayers.

But Xander wasn’t the only main character who got the shaft, although he was the most important one.

How about a second question – Anya? Why couldn’t she get some real character development, too?

In the show, as is, Anya is completely loveable, sure, but completely half baked as a well-rounded character.

Anya from Buffy

The bunny thing got old after a while.

Here’s how I would have hoped Anya would have grown over the course of the series: Starts off confused and lost in the world, but still helps out by giving the Scooby Gang vital information about the demon world. Slowly, she adjusts to the human world and develops a flair for business, but can’t resist picking up some old demon spells or ways or friends – much to Xander’s chagrin. She’s torn between her old life of immortality and power and her new considerably more domestic one with Xander, and Mr. Harris ultimately decides to call off their wedding, leaving her heartbroken and demon once again. Anya can’t help herself but continue to assist the Scooby Gang and work at the Magic Box, though, keeping her constantly torn between two worlds. Obviously, she gets into funny situations along the way, but her confusion and troubles aren’t just always played for laughs.

And you know what the funny thing is? I think this is EXACTLY what the writers thought they wanted for Anya’s character, too! But the execution was not what was on this page. Instead of using her for interesting demon information (the gang does this maybe four or five times throughout the whole series), she just sits around and makes weird jokes about her old demon days. Umm…she was a demon for hundreds of years, YOU SHOULD BE ASKING HER QUESTIONS! FIRST, BEFORE YOU GO TO GILES OR A BOOK! There’s NO real reason for Xander to leave her at the alter (still my LEAST favorite story in the history of the show) except for him being a total dipshit, and although she was introduced as a savvy, clever enemy in season 3’s The Wish, she never again showed any of the same prowess for adaptation or quick thinking.

At the end of the day, I still love these two characters, but sometimes, especially while watching season 5, the frustration is too much for me to handle.

And do you know what I think the culprit of all this is? The writers needed more time to develop the character of SPIKE. Really. Xander and Anya were pushed aside not because the writers hated them, but because there wasn’t enough screen time while competing with such a great character like SPIKE. (Please feel my sarcasm through the Internet.)

And don’t get me started on Dawn.

Anyway, any frustrations you want to vent? Do it here!

She Saved The World A Lot

As cited recently on tor.com, almost 15 years ago Buffy the Vampire Slayer premiered on the WB network.

This is my favorite show.

In honor of the program that shaped so much of my youth, I’d like to have a short little series about the lesser-discussed topics of Buffy Studies. Less about the feminist icon hero part and more about the other people.

In 5 parts:

-Riley Finn

-Whedon Melodrama

-BADASS

-Poor Xander

-What I learned from Willow and Tara